Die Forderung depicts the same modern-day building from slightly different perspectives, as several men in clothes from bygone times crowd the foreground; and numerous intersecting lines in Zustrom repeat the symbol of the cross within a sunny, pastoral setting.
Removing the textiles for which he is known and using the mimesis of the fabric is an important move for the artist.
Since 1998, his work has been represented by David Zwirner, and he has exhibited widely both in the United States and internationally.
Tutto sull'AS Roma: Foto Juliana Moreira Nuda
Unique fibreglass sculpture, hand-painted with Dutch wax Batik pattern, bespoke hand-coloured globe and gold leaf.
In 1998, his first American museum presentation was organized by The Renaissance Society at the University of Chicago in collaboration with the Philadelphia Museum of Art, and traveled to The Drawing Center, New York and the Museum of Contemporary Art, Los Angeles.
The gallery will also have a one man presentation of works by Robert Motherwell at Frieze Masters this October.
By: Maggy
+660reps
Within that space I simply paint, whatever I want, free from the pressures of Painting.
By: Meece
+60reps
Often undated, unlabelled or uncatalogued, they are meant to create their own history, their own chronology and their own historicity: in her hands, objects are not mere illustration or product of an artistic mind or practice, but the hushed, living proof of it.
By: Sweeney
+54reps
Continue to page 2 In a career spanning more than five decades, Ruscha has distilled the archetypal signs and symbols of the American vernacular into typographic and cinematic codes that are as accessible as they are profound.
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