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Italian Neo-realist cinema’s commitment to location shooting and to the use of non-professional actors has inspired more than one Iranian director, and the work of Robert Bresson and René Clement, who used small teams at the margins of the film industry, has spawned many offspring in Iran.



Similarly, Yasujiro Ozu’s “Tokyo Story” 1953 , with its simple anecdotes, repressed sensuality and emphasis on gestures, embodies the Iranian film-makers’ quest for subtlety and emotional richness.



The factual directness of these documentaries raises far more awareness of human rights than do most political slogans.




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Without formal education but impressively self-taught, these teenagers document their family and their family’s working methods.


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Description: The factual directness of these documentaries raises far more awareness of human rights than do most political slogans.

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Views: 4651 Date: 06.04.2022 Favorited: 15 favorites
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Their director father, a former extremist Islamic militant who reveals his life in the beautiful “A Moment of Innocence” 1996is now one of the most outspoken critics of the government and took his children out of school to work under the umbrella of the ‘Makhmalbaf Film House’.
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In Kiarostami’s “Through the Olive Trees”, a film within a film, we witness a continuously improvised script that shows the many directions a film can take and illustrates how simple events can change the course of a drama at any moment, both in real life as well as in film.
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Here is the paradox: shortly before the Islamic revolutionary regime came to power in 1979, it encouraged the destruction of some 180 film theatres in less than a year.

Latest Comments

    +777reps
    By the time the founder of the Tehran cinematheque, Farrokh Ghaffari, himself a great film-maker, introduced these sombre films during the late Sixties, his audience was already tiring of the dubbed American, Italian and Indian commercial films that inundated Iranian screens.
    By: Amari
    +886reps
    Together with Parviz Shahbazi’s “Deep Breath” 2003an unusual commercial success despite its dark ending, these works describe beautifully and poetically the angst of today’s young generation in Iran.
    By: Lazos
    +494reps
    The success and hard work of the pioneering Rakhshan Bani-Etemad is an example that many women directors in Iran were following much before Samira made the headlines.
    By: Sewell
    +807reps
    His daughter, Samira Makhmalbaf, made “The Apple” at the age of 17 and later became a Cannes Jury member at the age of 20, meanwhile women in Iran are perceived as submissive, powerless victims.
    By: Peta
    +54reps
    Jalili’s filming would often be interrupted for months when his lead actors went astray and his wife would complain of the tedium of delousing the boys.
    By: Pistol
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